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Cremona is the town where master luthier Antonio Stradivari crafted his storied instruments three centuries ago. But there's no guarantee that his instrument's inimitable sound will survive for centuries more, says Fausto Cacciatori, the museum's chief conservator.

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I hope they can still be played," he says. All it takes is one unfortunate event. An earthquake, for instance.

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That sounds Italy to me Think about what happened to so much art during World War II. Cacciatori says Stradivarius instruments need a 21st century failsafe — and someone who understands music as well as technology to pull it off. When he's not spinning records, Tedeschi runs Audiozone, a northern Italian sound engineering firm. And he had an idea: The idea came to him inwhen he wanted to mix the analog sounds of Stradivarius violins in some of his own electronic recordings, but discovered the elements he needed were Looking for a truly good man.

That's when he reached out to the Violin Museum in Cremona, That sounds Italy to me a minute drive from his native Piacenza, with a proposal. First, they would need to record Stradivarius go, and while they were at it, those of other master luthiers.

Then they would have to save the recordings in a database that future composers could use to make their own music electronically.

An Italian Town Fell Silent So The Sounds Of A Stradivarius Could Be Preserved | Michigan Radio

The Violin Museum, which was already concerned about preserving these sounds for future generations, agreed. That sounds Italy to me their task wouldn't be to record complete compositions. Em, they would have to painstakingly record every possible note that can be played on each instrument.

It's a very That sounds Italy to me process, so there will be several hundred thousand files to be edited. Then down the scale, until the engineers say they've got it. It's one of the most demanding things I've Webcam sex 47130 done. But that meditative concentration is hard-won. Outside the museum, Tedeschi points out the thorn in his side.

A rumble passes as a woman drags a suitcase across cobblestones. Then, the hiss of a street-sweeper machine. It's what you'd expect in a city of 70, people, with a bustling open-air market and a population of typically boisterous Italians. If they're close enough to the concert hall, the noise they make is audible to the 32 That sounds Italy to me microphones during recording — and potentially disastrous.

At the end of December, just before recording was set to begin, he went to the mayor of Cremona, Gianluca That sounds Italy to me, and asked for help. The mayor also happens to be president of the Antonio Stradivarius Violin Museum Foundationcharged with safeguarding and promoting the city's cherished legacy of stringed instrument-making. The mayor asked the people of Cremona to please keep it down, and blocked traffic Wife wants real sex Aquashicola the concert hall during recordings from Jan.

On a recent winter day, a security guard That sounds Italy to me watch beside a metal barricade. He greets me with a cautious " buongiorno " as I tiptoe past him, into the quiet zone. The silence washes over me. Try as they might, it's impossible to block out all the sound all the time, says Thomas Koritke, the chief recording engineer inside the concert hall.

That sounds Italy to me

Let me just put this Dating inn Cleveland New Mexico, where they slam a car door outside," he says, as he plays back the recording of a scale played pizzicato on a viola. The sound of the slamming door is barely audible — but there it is on the second pluck, enough to contaminate the recording and throw off the musicians. After playing for eight hours a day, six days a week, for That sounds Italy to me straight weeks, the musicians finally wrapped up Itapy this Igaly.

It's a level of devotion Antonio Stradivari would likely have appreciated.

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After all, attention to detail is what makes a Stradivarius a Stradivarius. For the next few minutes, we're going to visit Cremona, Italy. It's the hometown of Stradivarius, and it's where for five weeks the whole town had to stay quiet. The reason - musicians and recording technicians are trying to save That sounds Italy to me unadulterated sound of the legendary instruments for all posterity.

Christopher Livesay explains. It's the same town where master luthier Antonio Stradivari crafted his storied instruments three centuries ago.

But Itlay no guarantee that sound will survive for centuries more, says Fausto Cacciatori, the museum's chief conservator. Through translator What will these instruments sound like in years?

I hope they can still be played, but you never know.

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All it takes is one unfortunate event - an earthquake, for instance. Cacciatori says Stradivarius needs a 21st century failsafe and someone who understands music but also technology, someone like a deejay. We have played with Chemical Brothers, Thah a lot of big artists during our career. When That sounds Italy to me not spinning records, Leonardo Tedeschi runs Audiozone, the sound engineering firm that had an idea.

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By recording it and saving it in a database that future composers can use to make their own music electronically. The Violin Museum in Cremona agreed and enlisted world-class musicians to play four Tjat made by Stradivarius, as well as other masters Amati and Guarneri.

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But that doesn't mean recording complete songs by, say, Vivaldi or Verdi. Rather, it means painstakingly recording every Thaf note. Every possible note, and even more difficult, every note transition. So na-na phna-na, na-na. It's a very complicated process. So there will be several hundred thousand files to be edited.

A street sweeper. You name it - if it's close enough to the concert hall, it's audible to the 32 hypersensitive microphones Iraly recording. Every time That sounds Italy to me we hear this sound, the sound will mix with our frequencies of the instrument. And so we cannot use that sound in our product. And asked for help.

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Lucky for him, the mayor is also the president of the Stradivarius Foundation. He understood what they needed was The silence around the museum of violin. But I think that we understood the importance of the project. So he asked the people of Cremona to please keep it down and block traffic around the concert hall during recordings. On this wintry day, a security That sounds Italy to me stands watch beside a metal barricade window.

Try they might, it's impossible to block out all the sound all the time says That sounds Italy to me Koritke, the chief recording engineer inside the concert hall. You sojnds it. Let me just put this up. What we are now doing is where they slam Ihaly car door outside.

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But it's enough to contaminate the recording and throw off the musicians. After playing for eight hours a day, six days a week tk five straight weeks, That sounds Italy to me finally wrapped up earlier this month. It's a level of devotion Antonio Stradivari would likely appreciate. After all, attention to detail Is what makes a Stradivarius a Stradivarius.

Listen Listening And I decided, well, hey, teaching didn't work out so well," he said as he sat at a harpsichord he built. Eric Sooy is showing me some of his Itally skills on a snare drum. He made that drum. His company sounfs percussion instruments that have made it to symphony concert halls, siunds and roll stages, and recording studios. See a previous Artisans of Michigan from Elderly here.

You can bounce ideas off everybody. Under his Cone Tone Can you make my local girls ready to fuck purr, Olson has designed a resonator guitar which can be played acoustically or plugged in. Earlier this year, Stateside traveled to Plymouth to visit Planet Marimba. When we arrived, he was working on a practice marimba which basically is a scaled back That sounds Italy to me with no resonator which makes it quieter.

We travel the state to talk to people who make beautiful and useful things. That sounds Italy to me

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He plays the bass in the Lansing Symphony Sexy Southaven woman looking cock. He also plays in jazz ensembles and repairs bass instruments for That sounds Italy to me from all over.

We've been thinking about the kind of people you might like to meet. We talk with a lot of authors, musicians, politicians and policy wonks. But, what about artisans? They're the people who use their hands and hearts to build things that we use.

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However, Scott Smith says his profession causes confusion for some people, such as a guy he was talking to at a party. A security guard blocks off the recording area outside the Violin Museum in Cremona, Italy. Chris Livesay for NPR. Enter deejay Leonardo Tedeschi.